Synclavier

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First released in 1975, it proved to be highly influential among both music producers and electronic musicians, due to its versatility, its cutting-edge technology and distinctive sound.First developed at Dartmouth College, the Synclavier was one of the first synthesizers to completely integrate digital technology. It used FM synthesis as well as sampling in order to create sounds, which were stored on large, magnetic disks. It was often referred to, by New England Digital and others, as the "tapeless studio," due to one's ability to compose and produce an entire song, solely on the Synclavier. Synclavier Systems were expensive - the highest price ever paid for one was about $500,000, although average systems were closer to about $200,000 - $300,000. Although this made it inaccessible for most musicians, it found widespread use among producers and professional recording studios, and it competed in this market with other high-end production systems, such as the Fairlight CMI.For the price, users got a system with custom parts, built by hand, all to the highest specifications available. Users enjoyed most of the abilities of modern PC "virtual" sound studios - recording, sequencing, playback, and disk storage. All were integrated seamlessly with the hardware, with a high degree of parallelism built into the electronics (for example, two digital to analog converters for each stereo channel of sampled sound, with analog volume control) to avoid the issues of digital mixing artifacts, latency, and heavy CPU usage that are concerns of modern PC-based studios. In these respects, the Synclavier system still surpasses modern methods.Two generations of the Synclavier System, the Synclavier I and the Synclavier II, were produced. Synclavier II boasted upgraded sampling capacity and memory, as well as a velocity- and pressure-sensitive keyboard. This tends to be the more commonly found, as most Synclavier I owners upgraded after the release of the Synclavier II.The Sample-to-Disk option offered in 1982 was the first 16-bit digital audio hard drive recording device on the market. It was capable of monophonic recordings with a sampling rate of up to 50 kHz. Greater throughput was not possible due to the limitations of hard drives at the time.New England Digital went out of business in 1991, and the Synclavier is no longer manufactured. It is, however, still in use in the recording industry, particularly among soundtrack composers and sound designers.Notable Synclavier usersFrank Zappa - composed his 1986 Grammy-winning album Jazz From Hell and recorded the works of Francesco Zappa in 1984 entirely on Synclavier. Also, the posthumous two-hour Civilization, Phaze III was allegedly around 70% Synclavier-made. Depeche Mode (Mute Records) Fad Gadget (Mute Records} a-ha - the album Hunting High and Low (1985) Paul Simon - on Simon's 1983 album Hearts and Bones, Tom Coppola is credited for Synclavier for the following tracks: "When Numbers Get Serious," "Think Too Much (b)," "Song About the Moon" and "Think Too Much (a)," and Wells Christie is credited with Synclavier on "Rene And Georgette Magritte With Their Dog After The War." On his 1986 album Graceland, Paul [Simon] is credited under "Synclavier" for the following tracks: "I Know What I Know" and "Gumboots" Laurie Anderson - her 1984 album Mister Heartbreak includes visual depictions of Synclavier sound waves in the liner notes Nile Rodgers Chuck Hammer - Guitarchitecture recordings 19831986, and recordings with, Nile Rodgers, Duran Duran and rehearsals with Laurie Anderson Hall & Oates - Most of 1984's Big Bam Boom album. The Cars Genesis - Most musicians using the Synclavier kept it in the studio. Genesis used the instrument in arena shows, which is a high accomplishment as the Synclavier is huge and power to arena stages is typically very noisy. Duran Duran - programmed by Chuck Hammer Bob Boilen - Used during production of the 'whizbang' audio track for the Smithsonian Museum of American History Sean Callery Herbie Hancock Jean-Luc Ponty - particularly on The Gift of Time, and presumably most of his 1980's albums. Alan Silvestri - in producing the scores for the 1980s films The Clan of the Cave Bear and Flight of the Navigator. Wally Badarou - keyboardist for Level 42, Robert Palmer and others. Producer Trevor Horn - used the Synclavier on records by Frankie Goes to Hollywood, Yes, and Grace Jones, among others Michael Jackson - particularly on his 1982 album Thriller, programming by Steve Porcaro, Brian Banks and Anthony Marinelli. The famous gong sound at the beginning of "Beat It" comes courtesy of the Synclavier. Brian Mendelsohn - The...(and so on) To get More information , you can visit some products about parking video monitor, usb evdo modem, . The Bluetooth Clip Type Wireless Stereo Headphone products should be show more here!