2009年4月8日星期三

Korg MS2000

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And you can see more from OPEN LED sign led message display Outdoor LED Display led video wall LED Open Sign LED Message Board Graphic LCD Module Gas Price Display LED display boards MS2000Manufactured byKorgDates2000 - 2004Technical specificationsPolyphony4 voicesTimbrality2Oscillator2 (or 4) oscillators per voiceLFO2Synthesis typeVirtual analog SubtractiveFilter1 resonant lowpass/highpass/bandpassAttenuator2 ADSRAftertouchYes (set to MIDI1 or MIDI2 and assign target parameter via Virtual Patch bay)Velocity sensitiveYesMemory128 patchesEffectsChorus, delay, EQ, flanger, phaser, ring modulator, vocoderInput/outputKeyboard44 keysExternal controlMIDIThe Korg MS2000 is a virtual analog synthesizer produced by the Japanese electronic musical instrument manufacturer Korg.Contents1 History and features 2 Synthesis 3 Models 4 Specifications and options 5 References 6 External links // History and featuresThe synthesizer was offered as either a 44-key board or as a rack module, the latter being controlled by an external keyboard controller, hardware sequencer or a computer, making use of the system's very complete MIDI implementation. It was intended to bring the sound and basic functionality of the MS-10 and MS-20 back into the keyboard market, but with the updated technology of Virtual Analog Synthesis. The extensive number of onboard knobs and buttons (over 80) could be used to dynamically edit many of the parameters while playing, as well as be used as a control surface for other synthesizers and sound modules. This capability was the attraction of many analog synthesizers of the past and that real-time editability became the cornerstone of contemporary VA synthesizers[1].At the time of the release of the MS2000, Korg was competing directly with synthesizers such as the Clavia Nord Lead and Roland's JP-8000 and JP-8080. While both of these VA machines were powerful in their own right, they were expensive. Korg had to make some sacrifices to be able to offer the much simpler MS2000 at a more reasonable price. The most prominent limitation was the synthesizer's polyphony of only 4 voices, but it also lacked expansion options, power was supplied by an AC adapter "wall wart", and there were only 128 patches available, many of which were already used by the onboard programs (though all 128 are overwritable). This type of limited Polyphony is tied to Korg's history and often part of their unique charm. One other example that had 4 voice polyphony or switchable 4 oscillator monophonic modes was the Mono/Poly. The Poly6 had 6 voice polyphony with ONE oscillator per voice plus sub osc, but it could also be played in a staggering 6 oscillator unison mode. Both models are stated influences in the design of the MS-2000 along with the MS-20 synthesizer.One feature which was not widely known overcame the limited polyphony. If one connected the rack and keyboard together via the MIDI ports, the two devices could be set to produce notes offset to one another. This ultimately doubled the capability of the system, turning the combined system into an 8-voice synthesizer[2], completely controllable using either of the control surfaces, although it was likely that most players used the keyboard surface as the master control.SynthesisSounds are initiated in the MS2000 in a somewhat standard synthesizer manner, and then routed in various ways to produce the final sound. All sounds (timbres) in the MS2000 consist of the following steps and path: OSC1/OSC2/NOISE, MIXER, FILTER, AMP, EG, LFO, VIRTUAL PATCH, MOD SEQUENCE, EFFECTS and ARPEGGIATOR. If the voice mode is Single, only TIMBRE 1 will sound. If the voice mode is Dual or Split, both timbres TIMBRE 1 and TIMBRE 2 will sound.[3]TIMBRE 1/2OSC1/OSC2/NOISEOSC1 (Oscillator 1) allows one to select from eight different oscillator algorithms, including basic analog synthesizer waveforms such as SAW and PWM, Cross Modulation, and Korg's proprietary DWGS (Digital Waveform Generator System) originally developed for the Korg DW-8000 synthesizer. A signal such as a mic, instrument or line input from the AUDIO IN 1/2 jacks can also be processed.OSC2 (Oscillator 2) allows one to select from three types: SAW, SQU, and TRI. It can also be used as an oscillator for the Sync or Ring modulation.NOISE (Noise Generator) produces white noise which can be used for sound effects and introducing harmonic distortions to waveforms. The 64 single-cycle, wavetable-like internal waveforms that can be used in the oscillator 1. Taken from mid-80's Korg DW-8000 synthesizer, these waveforms allow the creation of bell and electric piano-like sounds. Also, ring modulation and sync are available as modulation sources to generate sweep and vintage lead sounds.MIXERUsed for adjusting the levels of OSC1, OSC2 and NOISE. The combined...(and so on)


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